I've shot for electricians, HVAC companies, landscapers and renovation crews across the GTA and southern Ontario. Before that I ran a restaurant kitchen for over a decade, which taught me that customers don't trust what looks finished. They trust what looks handled.
Most trades businesses call me wanting the same thing. One glossy shot of the finished basement, the new deck, the shiny panel. And I get it, that's the photo that feels like the win. But it's usually the last thing I shoot, not the first.
A clean after photo tells a stranger almost nothing about you. It shows them a deck. Decks look like decks. What it doesn't show is whether you show up on time, whether your work is careful, whether the person swinging the hammer in someone's backyard looks like someone you'd let in your house.
That's the actual sale. Not the deck. The person.
So if I'm building a shot list for a trades business, the finished install is near the bottom. Here's roughly what goes above it.
A homeowner in Oakville hiring an electrician isn't buying wire. They're buying a stranger walking into their house while they're at work. Every hesitation they have is about that stranger.
A few decent portraits of the owner and the crew, on a real job site, not posed in a parking lot, kill most of that hesitation before it starts. I'd rather spend twenty minutes on this than an hour on a hero shot of finished trim.
This is the same reason I tell restaurant owners their staff matters as much as their plates. People don't just buy the output. They buy who's making it.
A before photo of a torn-up bathroom, a stripped-down panel, a yard full of dead sod, does more selling than you'd think. It gives the after photo a job to do. Without it, the finished shot is just a nice room. With it, the finished shot is proof.
I've shot renovation companies in Vaughan and Richmond Hill that had years of gorgeous finished work and nothing showing the state things started in. Their whole portfolio looked like it came out of a catalogue. Nobody believed it was theirs.
Sounds dumb. It isn't. A clean shot of the branded truck parked at a real job, tools laid out, ladder up, tells a viewer this is a real operation and not a guy with a number in his phone. I shoot this for almost every trades client now. Takes fifteen minutes, does more work than people expect on a website or a listing.
A close, sharp shot of a properly dressed wiring panel, a clean weld, tile lines that actually line up, tells a tradesperson in the industry that you know what you're doing. It also tells a homeowner who knows nothing about wiring or welding that someone cared enough to make it look right, which they can judge even without the expertise. That's the shot that gets pulled for a quote page or a proposal deck.
A half day covering portraits, before and after pairs, a few detail shots and a bit of job site coverage runs most trades clients somewhere around $1,500 to $3,000, depending on how many locations and how much crew is involved. That's not a small number and I know it. But a set like this gets used for years, on the website, on quotes, on trucks, on every job posting you put up.
Compare that to what a phone photo dashed off between jobs is worth to a stranger deciding whether to let you into their house. It's not close.
I'm not going to pretend every trades business needs a full shoot list like this right out of the gate. Some genuinely just need one decent portrait and a handful of finished shots to stop looking invisible online. But if you're only going to shoot one thing first, make it the person doing the work, not the thing they made.
All posts